If no one remembers a misdeed or names it publically, it remains invisible. To the observer, its victim is not a victim and its perpetrator is not a perpetrator; both are misperceived because the suffering of the one and the violence of the other go unseen. A double injustice occurs-the first when the original deed is done and the second when it disappears.
So it can be seen that the trouble with the motion picture art was (and is) that it is too much an industry; and the trouble with the motion picture industry is that it is too much an art. It is out of this basic contradiction that most of the ills of the form arise.