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I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.

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Julio Cortazar

I raised the camera, pretended to study a focus which did not include them, and waited and watched closely, sure that I would finally catch the revealing expression, one that would sum it all up, life that is rhythmed by movement but which a stiff image destroys, taking time in cross section, if we do not choose the essential imperceptible fraction of it.

Cameras, Choose, Expression, Focus, Movement, Raised
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I have never described this to you before, not so much, I don't think, from lack of truthfulness as that, just naturally, one is not going to explain to people at large that from time to time one vomits up a small rabbit.

People, Rabbits, Small, Thinking, Time, Truthfulness

You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.

Away, Mean, Museums, Painting, Thinking, Witness

Salt and the center of the world have to be there, in that spot on the tablecloth.

Center, Cooking, Food, Salt, Tablecloth, World

The short-story writer knows that he can't proceed cumulatively, that time is not his ally. His only solution is to work vertically, heading up or down in literary space.

Allies, Heading, Proceed, Space, Story Writers, Work

Why have we had to invent Eden, to live submerged in the nostalgia of a lost paradise, to make up utopias, propose a future for ourselves?

Eden, Future, Invent, Nostalgia, Paradise
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