All you 'Twilight' fans, can't thank you really enough for being so supportive. You're real cool people.
Nobody's in love with me. I'm so sorry.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
Things changed a little when I started taking photographs for magazines. I was afraid in the beginning. I thought, "Oh I can't do it, because I have never taken a photographs commercially for a magazine. " But I wanted to learn so I started. But when I took models from agencies, I took beginners. Sometimes they were really good, but you have to work with them. You have to be good with women and the boys.
People don't change. If anything, you get more set in your ways as you get older, not less
Sharks don't target human beings, and they certainly don't hold grudges.
The bravest love is wildly faithful and it falls hard again every morning. . . It knows what we seek may be found in what we already have. . . it's grace and fresh gratitude that can make us strong enough to marvel in the seeming monotony of anything. . . And the happily married have eyes that look long enough to make the familiar new.
Practical men who believe themselves to be quite exempt from any intellectual influence, are usually the slaves of some defunct economist. Madmen in authority, who hear voices in the air, are distilling their frenzy from some academic scribbler of a few years back