When something can be read without effort, great effort has gone into its writing.
Mediocrity borrows, genius steals.
Lesser artists borrow, great artists steal.
It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
The faculty of creating is never given to us all by itself. It always goes hand in hand with the gift of observation.
A plague on eminence! I hardly dare cross the street any more without a convoy, and I am stared at wherever I go like an idiot member of a royal family or an animal in a zoo; and zoo animals have been known to die from stares.
My childhood was a period of waiting for the moment when I could send everyone and everything connected with it to hell.
At eighteen the heart shoots like a pebble from a slingshot and the head doesn't sit on the shoulder.
If a writer stops observing he is finished. But he does not have to observe consciously nor think how it will be useful. Perhaps that would be true at the beginning. But later everything he sees goes into the great reserve of things he knows or has seen.
Everywhere I go people come up to me, they mob me - anyone who has MS or has a relative with MS - they come up and hug and cry.
I'm pretty upfront about my love and admiration for the military. One of the perks of making movies is that you get to sort of follow your own passions, and I believe quite passionately that we don't pay enough attention and respect to our veterans. Not just our wounded veterans, but all veterans.