You can call it institutionalized racism or institutionalized inequality, but what I say is that any system that operates to maintain inequality is a corrupt system and must be addressed.
I know what love is because I lost it at an early age.
I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.
What I remove from my writing is linear context. It's not really important to me, because it doesn't give me chills to see, "you flip the latch and the lock opens and then you can open the top of the chest and inside the chest is this. " That doesn't give me chills, to think in that vein. So I've always kind of avoided it.
I am not concerned about the 80 BMP consistency law of popular music. I'm concerned with other things, and they're very valid.
I'm at best on stage. It's one of the only places where I actually can feel like a million bucks.
Being on stage, it's like, "Ooo-kay, now I remember why all this is going wrong or right!" It's very much my element.
There are no bystanders in a dharmayudh - it is a holy war.
Luce and Daniel fell in love for the first- and the last- time
Cities fell. Earth opened. Planets tilted. Stars plummeted. And the awful silence.
Don't follow your feeling. Just follow the word.