Dancing: The Highest Intelligence in the Freest Body.
For historians, creative writers provide a kind of pornography.
You don't get on by being original. You don't get on by being bright. You don't get on by being strong. You get on by being a subtle crook.
I'm one of these children who grew up at the knee of my grandmother and her elder sister, listening to very old people talk about their memories.
I didn't cry much after I was 35, but staggered stony-faced into middle age, a handkerchief still in my bag just in case.
People who wrote literary novels about the past probably didn't want them pegged as historical fiction. Certainly that was true in England.
I dislike pastiche; it attracts attention to the language only.
People should realize women aren't just whores or virgins, I want to see women who are real human beings.
As far as art and filmmaking is concerned, I don't see there's any separation; it's just one continuous thing.
My writing isn't actually guided by issues. I know it seems that way, but I don't sit down and think, Oh, there's this issue I'm bothered about. I only write about things that directly impact my life. When I write, there's a pain that I have to reach, and a release I have to work toward for myself. So it's really a question of the particular emotional circumstance that I want to express, a character that appears, a moment in time, and then I write the play backwards.
Hypnosis is a powerful force and in my opinion should be employed only by the best-trained and most ethical professionals for very important reasons.