The creative act does not create something out of nothing; it uncovers, selects, reshuffles, combines, synthesizes already existing facts, ideas, faculties, and skills.
My greatest lesson in composition was looking at paintings.
At the end of the day, what I show is real life. I tell the truth. And the truth can be shocking.
I've always been interested in people that you wouldn't see otherwise. If you look back at my books, photographs, and films-and since I'm doing this retrospective I've been forced to look back-the work is always about a small group of people who are somewhat isolated, and who you would never see if I didn't film or photograph them.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn’t planned; it was realism.
I tell people to frame the picture. Make the greatest, most perfect composition you can. . . and then take a step forward. It skews it a bit and makes it more interesting.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
A book, unlike any other friend, will wait, not only upon the hour but upon the mood.
Society is constantly recalibrating, redefining what it considers to be moral and immoral.
To have a sense of education and ethics is important.
Money: power at its most liquid.