I never believed in a set routine. It should depend on how you feel, because you play what you feel.
As a fine artist I was drawn to composition and technique. I would count the cuts.
The Ryan Murphy television world has assistants who have become producers and writers and. If he trusts you and you have a unique way of seeing his world, he nurtures you.
I'm really grateful to Ryan Murphy for so much because he's fearless. He's so confident. He has a very unusual and unique way of seeing the world sometimes, and he's somehow able to translate that into entertainment for the masses, at the right time in pop culture.
If you can make the day, you can do whatever you want.
The fun of directing for me, other than working with the actors, is trying to extract those ideas that you have in your head and make them real.
I was only driven to be the best and it was very disheartening sometimes that it took me so long to start getting my voice heard. That certainly started with television, but it was never because of where I came from, it was because people saw something in me.
Yoga says instinct is a trace of an old experience that has been repeated many times and the impressions have sunk down to the bottom of the mental lake. Although they go down, they aren’t completely erased. Don’t think you ever forget anything. All experiences are stored in the chittam; and, when the proper atmosphere is created, they come to the surface again. When we do something several times it forms a habit. Continue with that habit for a long time, and it becomes your character. Continue with that character and eventually, perhaps in another life, it comes up as instinct. (92)
The man whose authority is recent is always stern.
It was the seventh of November, 1918. The war was finally over. Maybe it would be declared a holiday and named War's End Day or something equally hopeful and wrong. Wars would break out again. Violence was part of human nature as much as love and generosity.
Our time has produced a need for contrast. This has been achieved not only in the external appearance of plastic expressions of coulor and matter, but also, and chiefly, in the tempo of life and in the techniques related to the daily, mechanical functions of life; namely standing, walking, driving, to lying and sitting - in short, every action which determines the content of architecture.