. . . but I should say that kindliness, and sincerity, and if I may say so--modesty--are worth far more to a man, to a husband, than all the wit and beauty in the world.
I don't have anything against commercials, and I really like BMWs.
All my films have always been released in the autumn, maybe because they're more melancholy to people.
I always think politicians and even my dentist have more egos than actors.
I just wanted to show the migrants as complex humans with flaws and weakness, with good and bad things, and show that they're parents and family men. I wanted to show them with everything, as they are.
When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
I understand when there's no money for the arts in the government, but it should maybe pressure private companies to support more filmmakers. These exhibition and distribution companies are huge, and there might be incentives for them to invest more in Mexican cinema.
I can understand wanting to have a million dollars but once you get beyond that, I have to tell you, it's the same hamburger.
So you see how endlessly futile and fruitless it would be if we wanted to refute their objections every time they obstinately resolved not to think through what they say but merely to speak, just so long as they contradict our arguments in any way they can.
First, we must stop issuing drivers' licenses to people in our country illegally. Providing them with forms of government identification makes a mockery of our laws and undermines national security efforts.
Success comes from keeping the ears open and the mouth closed