Zoë E. Bell (born 17 November 1978) is a New Zealander stuntwoman and actress. Some of her most notable stunt work includes doubling for Lucy Lawless in Xena: Warrior Princess and for Uma Thurman in Kill Bill.
I've always appreciated great acting performances, but I've even learned to appreciate not so great ones 'cause it's hard.
The physical element of a role is something I'm super familiar with, and I love it. I've definitely made the transition into acting over doubling, just because I needed to make it clear to myself, so that I fully committed.
I think because I am a physical person, and because my way of expressing and performing and storytelling or explaining has always been with my body, if I can combine the two I find it really liberating.
I love acting. And if there's a niche that needs filling, I'm happy to get in there and try to fill it.
The thing that I come across is that people think that I might actually be super aggressive, want-to-fight type in real life. The irony is that that's just not true, at all.
Part of the joy I'm discovering in acting is the fact that it's uncomfortable to me, that it's challenging, and the possibilities of always being able to improve on something, of always being able to try something new, it's intriguing and exciting.
My job has always been to not only make my character look like a badass but to also make the actor I am fighting opposite to be the character they need to be too.
Humans sort of instinctively respond negatively to something that's not true.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
Being a stunt girl is very much my comfort zone, so I had to remove the comfort zone to step fully into the slightly scarier zone. Also, just being perceived as an actor by the outside world, rather than as the stunt girl who does dialogue, has been a part of the challenge in front of me.
When my physicality is involved, it's kind of my comfort zone, so I find it much easier to access emotions.
I had to paint the picture that I was never scared, otherwise I couldn't do my job. But now, as an actor, I'm literally paid to look emotionally accessible.
There is an art to acting, and there are techniques that are acquired. You can be as emotional as you'd like, as a person, but figuring out ways that you can bring specific emotions at specific times and have them be true, and relating to someone as someone that they're not, is a lot.
People are far more protective [of women] instinctively.
I was interested in seeing how to branch out and sort of use the Internet more as a way of making and promoting movies. There's no real difference in making it successful - it's all down to the dedication of the people involved to make it a success.
I'm certainly not on a mission to be taken seriously as a dramatic actress, any more than I am just to be able to get roles that are exciting and satisfying to me. If that means action, then that means action.
Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
I'm completely at ease on a set. I'm pretty comfortable most places, but hitting the mark and knowing set etiquette and understanding cameras and lenses are second nature. It's a language I've spoken for years.
What really sells a fight, and any kind of action, is the performance of it. If someone is uncomfortable or uncertain about doing action because they're too concerned about their safety or about being right, it pulls them out of being that character, in that situation.
I would find it more difficult if somebody else was doing the action.