Sefi Atta (born 1964) is a prize-winning Nigerian author and playwright.
I never wanted to be a writer; I just had stories I needed to tell.
I don't remember being a keen reader, but apparently I was. My aunt told me that whenever I was teased for reading, I would say, "To each his own. "
I read Macbeth as a secondary student in Nigeria and it was like an African play to me. It had all the right elements - witches, kings and assassinations.
I'm addicted to writing.
People don’t fear the wind until it fells a tree. Then, they say it’s too much.
I always begin [a novel] with outlines, but they change and so do my endings and beginnings.
For all forms, writing dialogue is almost like writing music. I pay close attention to rhythms and tones.
I was my class playwright and I wrote plays set in villages with kings and chiefs. My plays were about treason and betrayals. If they were influenced by Macbeth, they were also influenced by Nigerian plays I had seen and Village Headmaster, a television drama series I had watched as a child.
You don't need attention to write. All you need is passion for your work and an overwhelming desire to tell a story you genuinely care about. Readers can sense your sincerity and it separates you from pretenders.
My accountancy experience could come in handy if ever I find myself in the right position. For now, I'm very happy to write.
What works for me is that I read widely and stay focused on my writing. I'm no longer concerned about what happens in the literary marketplace. It is distracting and can lead to discontent.
I'm disciplined about writing. I get up every day knowing I have to produce work. I'm less concerned about other aspects of the job, such as the prizes and promotions. Promoting my work can be awkward, unless I feel sociable enough. Prizes encourage me to work harder on my next project.
I never wanted to be a writer; I just had stories I wanted to share so I learnt how to write and kept going. If I could sing or paint, I would.
I couldn't decide on a title for my first novel and my editor came up with Everything Good Will Come. After that, I thought I should name my own books. A Bit of Difference seems just right.
I don't have much of an imagination, but I have a mind bank of details, which I play with. It's how I daydream, so writing like that is natural for me.
As a student in England, I studied French and English literature. I read L'Etranger and the rhythm of the novel felt familiar to me - very African.
've had notebooks, but they are nondescript. All I care about is that they fit in my hand. I scribble down ideas. The problem is my best ideas come while I'm driving or showering.
I can't say L'Etranger influenced me to write, but for the first time I considered the possibility of telling a story that resembled my own experiences in my own voice.