John Buffalo Mailer (born April 16, 1978) is an American author, playwright, actor, producer, and journalist.
One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.
We've been duped into believing we don't have 25 minutes to have something change our life. We don't have 2. You know, we're tweeting. We're running around. We're 15 words or less.
I'm probably most proud of the plays that I've written just because as the playwright, you know, you're God. You get to do everything. You don't make any money hardly at all, but you really get to kind of control the scene.
I was about 20 when my mom got sick with cancer and it was bad. It was very scary and at the time I was doing my first screenplay and I was on deadline and was alone with my father in Massachusetts. I said, "Pop, you know, I don't how I'm going to work. I don't know how I can get this done. You know, I got to hand this script in and I can't think about anything but Mom. " He said, "Well, you know, now is the time when you're going to learn what it means to compartmentalize. " And those words really had an impact on me.
Norman Mailer loved women so much. I mean probably more than anything in the world he loved women. He got put into a position where he was kind of seen as the anti-feminist, although he was for the feminist movement. He just didn't want people to get consumed with the idea that this was going to be much better. He said, "Look, women should be treated equally and fairly. "
The thing is, to try to talk about a performance that will never be seen again, that was only lived by the people there, it's kind of like telling somebody about your dream. You know if they love you they'll listen and smile, but they can't really get it, so there is a certain infinite quality to film that is nice. You do the work and you know it's always going to be there. The flip side is if you do bad work it's always going to be there.
My father, Norman Mailer, expected a lot from us and he really pushed us and you know one of his favorite lines was, "If you think I'm being hard on you, wait until life hits you because life is a hell of a lot tougher than I am. " And I took everything he said to heart. He taught me how to write, which was scary and intimidating and hard, but ultimately one of the biggest gifts I could have ever asked for.
As each generation comes up that doesn't have the habits for paper it's just easier and cheaper to get your stuff online. You know, people go to what they're used to. Certainly our generation, you know, we'll always want to have a magazine in our hands. We like that, but millennials didn't see the value in that necessarily.
I think that if you look at places like Amsterdam and places where pot is very legal they do well with it. There is nothing taken away from it and crime is very low and all that.
Noam Chomsky is, in some ways, a victim of this new millennium we live in because you can't pull a sound bite from that guy and understand what he is talking about. You have to hear the whole paragraph. You have to hear the whole page. You've got to hear the whole conversation if you really want to understand it and that could change your life.
Cinema and theater - it's apples and oranges. You can't really beat movies. Yeah, when you're on an Oliver Stone set everybody brings their A game. Everybody brings their A game, from the top to the bottom and in between. In terms of theater you know there is no way to really duplicate that rush you get when you take an audience that is live and right there in front of you through the journey of a great play and you go through these emotions so that they can experience them without having to go through them themselves.
What it means to be a man is to take on all the emotional pain and work through what you got to work through with the people you love while at the same time getting your business done. And it's tough. I think that most children when they grow up they kind of realize that the things they didn't like about their parents or didn't understand about them they get now and that you know every year you get more responsibilities. You get more overhead. You get more things you got to take care off.
I had a lot of preconceived notions going in the Wall Street. It wasn't an industry that I really respected much. My feeling was kind of like look, you're not making anything. You're taking money from one place, putting it in another and taking your cut and that's just not really kind of soul-satisfying at the end of the day, but what I learned is, on a larger scale is how much the Wall Street industry funnels and fuels so many others. There is a lot of good that these guys do, and to lump all traders into a category is as insane as lumping any group of people into one category.
I just I love telling stories and as long as I can make my living doing that in all the different mediums that I have been lucky enough to, that's enough for me.
It's always an interesting question of what was it like as Norman Mailer's son because I could easily turn it back and say what's it like not to. I didn't always realize my dad was Norman Mailer. I always knew he was Dad, and then I forget the exact age when it dawned on me that, you know, he is actually someone who affects the public consciousness of the time. It was amazing. I mean he was a rock star and brilliant and kind and funny and generous and scary when he needed to be and, you know, hard as a father.
A company that was I think the one I learned the most from in Wall Street 2, just in terms of my own character in and the kind of firm he worked in, was John Thomas Financial. There it's like warriors in an arena getting ready for battle. Thomas Belesis just fires these guys up like there is no tomorrow, and I absolutely got addicted to that optimism and adrenaline and that "We're going to do it, we're going to do it, buddy" kind of attitude that he had.
It seems to be the sense that once you throw guys in prison they're not going to come out. No, they're going to come out and, you know, what kind of beast have you created from that process?
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not. . . You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
I remember talking to my dad about legalization in a book we did together called "The Big Empty. " He was saying like, "Oh, no, no, as soon as it's legalized it will be ruined. " "The corporations will get their hands on it. You'll have, you know, pot with vitamin C and, you know, 'Viagratized High Toke. '" You know different things like that. That it won't be, you know, they'll put chemicals into it. It won't be that pure plant that it is now. He may have a good point there.
If you're going to go into the movie business it is so full of heartbreak and you get so close and it doesn't happen and then once in a while it works out and it is the fantasy, like it is that dream. So riding the highs and lows of it you got to have an iron constitution and you got to be able to do what David Dinkins actually one said - "Well you know some days are good, some days are bad, but anytime there is a bad day I know the next day is going to be good and vice versa, so you just can't put too much stock in that moment. "