James Vance may refer to:
I've been asked if I'd consider doing Ropes as a straight novel - which is flattering, I suppose - but I can't imagine why I'd want to limit myself that way. There's a certain immediacy we gain from that specific image of Fred being struck by a revelation, of those union workers appearing from the shadows in an alley, of a lonely woman wondering for just a moment if she should make a pass at this young man in her hotel room
What a lot of folks feel - and some of the other commenters have mentioned this - is that there isn't a very clear way for somebody who's working-class, who is middle-income to really get ahead in 21st century America. That implicates our education system. It also implicates our local and regional economies. And I think that folks will expect Trump to fix a lot of those things. But, of course, it's a really tall order, and it's not going to happen overnight.
I think that what was genius about the politics of Trump's campaign is that he focused on workers and he focused on jobs. It wasn't about the wealthy entrepreneur with a private jet. It wasn't about a government handout. It was about the folks in the middle.
I can't blame anyone for being pessimistic when they look around, after all the blood spilled and energy spent to gain ground for working people in the past, and see it all happening again. I wasn't pointing a finger when I wrote the book, but sometimes the message is there even when you aren't actively trying to be the messenger.
I'm not sure I can name a kind of story that wouldn't work in comics form. It's words and images, and we've been telling all kinds of stories with that combination since theatre was invented thousands of years ago.
I really do think Trump's election comes down to respect. It comes down to being gracious. It comes down to really showing compassion for the problems of the black and Latino communities. And I really hope that Donald Trump takes the ball that's in his court and tries to go after those voters, tries to show some compassion, and really offers them something substantive to get excited about Republican and conservative policy.
There is a need for more economic growth, for more job growth. But there is a need in some people for them to recognize that they have a role in making these problems better. And we can't - we can't ignore that.
For all the idealism that propels him through the story, if you read between the lines you may see that at a moment which he considers a defining point in his life as an activist, he's also set the stage for potential ugliness down the road.
The issue that's really, really concerning is that you have eight million prime age men who have dropped out of the labor force, folks who aren't even looking for work. You can create job growth all day, but unless you start to do the things that bring those labor force dropouts back into the job market, you're not going to solve the problems.
One of the things I really worry about is that if you don't see middle class wage growth, if you don't see the economy in certain areas of the country, the middle part of the country, starting to come back in the same way that it's doing especially well, let's say, in California or New York, then people are going to become politically frustrated.
There's a certain pressure you put on yourself to use the comics page to full advantage that can focus your mind to a pinpoint, and when the juices are flowing, that's incredibly exciting. When you've managed to fit a complex set of actions or a complicated emotional passage into a single page there's the sense of satisfaction that I suspect a sculptor gets from chipping away at a piece of stone and ending up with a fully-realized work of art.
Understand, my own politics aren't necessarily interchangeable with what any of my characters believe. You could take each of the characters in On the Ropes, and I'd probably be in sympathy with a different one on any given day, depending on what's going on in the world.
If you think of- of the rhetoric of - of modern Democrats, it's often so focused on government that people don't accept - I think a lot of those - a lot of folks on the left don't appreciate that - that people don't want a handout. They don't want government support and they don't, from the right, want people to talk about the noble entrepreneur.