Top Ellen Lupton Quotes - Quotesmemo.com

Ellen Lupton Biography

Ellen Lupton (born 1963) is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the curator of contemporary design at Cooper Hewitt, Smithsonian Design Museum in New York City, NY and the director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, MD, where she also serves as director of the Center for Design Thinking. She has written numerous books on graphic design for a variety of audiences. She is a contributor to several publications, including Print, Eye, I.D., Metropolis, and The New York Times.

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Ellen Lupton Quotes

Designers provide ways into—and out of—the flood of words by breaking up text into pieces and offering shortcuts and alternate routes through masses of information. (. . . ) Although many books define the purpose of typography as enhancing the readability of the written word, one of design’s most humane functions is, in actuality, to help readers avoid reading.

Book, Define, Offering, Provide, Reading, Routes

Working within the constraints of a problem is part of the fun and challenge of design.

Challenges, Design, Fun, Problem, Working

Are some free fonts a gift to humanity rather than a blight on typographic civilization ?

Civilization, Humanity, Fonts, Free, Blight

Readers usually ignore the typographic interface, gliding comfortably along literacy's habitual groove. Sometimes, however, the interface should be allowed to fail. By making itself evident, typography can illuminate the construction and identity of a page, screen, place or product.

Comfortably, Design, Gliding, Identity, Interface, Making

Design is an art of situations. Designers respond to a need, a problem, a circumstance, that arises in the world. The best work is produced in relation to interesting situations - an open-minded client, a good cause, or great content.

Art, Client, Design, Interesting Situations, Situations

Universal design systems can no longer be dismissed as the irrelevant musings of a small, localized design community. A second modernism has emerged, reinvigorating the utopian search for universal forms that marked the birth of design as a discourse and a discipline nearly a century earlier.

Discipline, Design, Community, Forms, Modernism

Letters do love one another. However, due to their anatomical differences, some letters have a hard time achieving intimacy.

Achieving, Differences, Hard, Hard Times, Letters, Time

Design is as much an act of spacing as an act of marking.

Design, Marking, Spacing, Technology

You have to be prepared to give creative work 150%. I hear a lot of young people talking about life
work balance, which I think is great when you’re in your 30s. If you’re in your 20s and already talking about that, I don’t think you will achieve your goals. If you really want to build a powerful career, and make an impact, then you have to be prepared to put in blood, sweat, and tears.

20S, Build, Careers, Powerful, Talking, Thinking

Urban public space is a stage for viewing the field of graphic design in its diversity. A mix of voices, from advertising to activism, compete for visibility.

Diversity, Space, Urban, Visibility, Voice, Voices

It is easier to talk than to listen. Pay attention to your clients, your users, your readers, and your friends. Your design will get better as you listen to other people.

Design, Friends, Get Better, People, Talk, Users

Design is art that people use.

Art, Design, People, Use

Graphic design is the spit and polish but not the shoe.

Design, Graphic, Shoes, Spit

Typography is what language looks like.

Hipster, Language, Like, Looks, Typography

To say a grid is limiting is to say that language is limiting, or typography is limiting. It is up to us to use these media critically or passively.

Grid, Language, Media, Passively, Use

Think more design less

Design, Think, Thinking