Charles Parker Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Bop is no love-child of jazz.
You've got to learn your instrument.
It's just music. It's playing clean and looking for the pretty notes.
Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.
Man, there's no boundary line to art!
Music is your own experience, your own thoughts, your wisdom.
Don't play the saxophone. Let it play you.
I don't care who likes it or buys it. Because if you use that criterion, Mozart would never have written Don Giovanni, Charlie Parker would have never played anything but swing music.
I can play all I know in eight bars.
I'm very glad to have met you. I like your playing very much.
I kept thinking there's bound to be something else? I could hear it sometimes, but I couldn't play it.
Learn the changes, then forget them.
I'd been getting bored with the stereotyped changes (harmonies) that were being used all the time. . . . I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I'd been hearing. I came alive.
I look at melody as rhythm.
When I first heard music, I thought it should be very clean, very precise. Something that people could understand, something that was beautiful.
Some guys said 'Here's bop!' Wham! They said, 'Here's something we can make money on!' Wham! 'Here's a comedian!' Wham! Here's a guy who talks funny talk!'
They teach you there's a boundary line to music. But, man, there's no boundary line to art.