I don't think I've ever seen a zombie movie in my life.
I started super young, but when I think about myself at that age - what I thought I knew, and how priggish I was, how certain of things - now I realize that nothing is certain.
When you get bullied, you automatically think that you're the reason why you're getting bullied. The reality is, it's about them, not you. . . I'm all about blocking people. I'm all about saying, 'You know what, I don't need this in my life. '
You know, I've always tried to look at things as just what the part was. I never tried to worry about whether it was the lead or not the lead, because I think you can really mess your mind up when you're too caught up in those things.
I suppose I like to think of myself as a film-maker.
I never work out. I think it is boring, so I run.
I think that when we're talking about youth violence, we're talking about kids who don't have opportunities, so they're engaged in a certain degree of lawlessness, because we as a society have failed them.
I think I exist, therefore I exist. I think.
I didn't think about whether I was writing poems. I was thinking. And the more I was thinking, the more there was I didn't understand.
I just think that pop music is very interesting in how it can reach so many people. I like that I can tell stories and I just wanted to be heard more, I guess. That's why it's pop, but in my mind I don't really view my music as pop, I don't really view it as anything. I just look at it as a picture, I like visuals.
Never think of results, just do!
I think the educational value is what comes first. I've always thought that the most effective tools we have for disseminating information, i. e. education, is television and film.
I think religious movies are more of a subset of the broader historical trend, and also the fact that there is more history in Europe, whereas in America, America is about the future. People in Europe think more of the past, and that's why I think filmmakers are drawn to it more.
I think it's important that artists use their voices for so much more than just their talent.
We are everything and we are nothing. We are a forgotten moment. We don't even exist, which is the freeing part. We just think we do. That's the illusion.
I'm writing books. They're still a mix of fact and fiction and will continue to be. I think it's an interesting place to work.
I think rain is as necessary to the mind as to vegetation. My very thoughts become thirsty, and crave the moisture.
I think there's a part in each one of us that wants the impossible to happen, and that's what surprises are.
She looked at me. "What? Is there something wrong with my idea?" "It's not very heroic," I said dismissively. "I was expecting something with a little more flair. " "Well, I left my armor and warhorse at home," she said. "You're just upset because your big University brain couldn't think of a way, and my plan is brilliant.
The magnificent thing about her [Amelia Earhart] is, in the eyes of the world, she simply never died. Her fear never witnessed, her failure never recorded, her shiny twin-engine Electra never recovered. Earhart's legacy of inspiration is amplified because her adventure is perpetual. We don't think of her as dead; we think of her as missing. She is forever flying, somewhere beyond Lae, over that limitless blue horizon.