I'm trying to create flesh architecture. I aim to get a sculptural feel for groups of bodies, as well as create performance art.
There was this enormous burst of sculptural creative juice in the nineteenth century, and all that stuff is just so decorative. Even in pieces cast from a mold, you get a more sensuous, handmade, individual sense from it.
I don't look at a lot of design. I try to stay focused on making sculptural art pieces and somehow translating them into design.
My interest in architecture has always been sculptural. Most of my photography is of architecture
With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh.
I would like to make a building as intellectually driven as it is sculptural and as positive as it would be acceptable to hope.
I come from more of a sculptural background so I think of the form before anything else.
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural form to make space distinct.
A structure becomes architectural, and not sculptural, when its elements no longer have their justification in nature.
