Do not believe that man grows. No: he is born suddenly-a word, in a moment, penetrates his heart to a new throb. One scene can hurl him down from the ceiling of childhood on to the ruggedness of the road.
Even if I don't have a job, I work on plays and scenes.
A good novel is an indivisible sum; every scene, sequence and passage of a good novel has to involve, contribute to and advance all three of its major attributes: theme, plot, characterization.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
Doolittle was a major influence on the Seattle grunge scene, which emerged in the early 1990s.
Rob Lowe is a sportsman and a ladykiller and it's impossible to be in a scene with him and not immediately begin to play tennis.
I thought I was supposed to have a fake six-pack in this scene
I'm too shy to do kissing scenes.
Don't rush or force the ending. All you have to know is the next scene, or the next few scenes.
The correct unit of study is not the play; it is the scene.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?
In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
Watch MTV and you can see what the music scene is like in England. The Spice Girls? Not a lot of creativity in the commercial area. There are still great musicians in England, but not a lot being heard that much.
A lot of the times once you've finished a scene, the best reaction is to say you don't really remember what happened. I don't really remember what I did or the choices I made.
I like writing sentences. It's tactile and exciting. Whereas working at the level of the scene is a more cerebral pleasure.
I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.
Every scene is a love scene. The actor should ask the question: 'Where is the love?'
I think that sharpens the intention of a scene and clarifies a story's arc. Of course, I don't seek the questions until after I've written a scene - or maybe after I've daydreamed it.
[Deadpool] is definitely squirm-inducing. It's a pretty hard R, violence-wise. But cartoony, also. Maybe fast-forward through to torture scenes.
I love a lot of people in bands and people doing weird art stuff, but i will always forget someone and i don't really want to be part of stamping the boundaries on a scene.