I'm not the kind of person that's so self-confident that I would ever think I had recorded anything great. I know that whenever we finish an album and turn it in, I know that in my deepest heart of hearts that we did the best that we could. Only time goes on to tell what I will think of it 10 years later or if people will listen to it forever or if people will get tired of it.
Even if you're not doing anything wrong, you are being watched and recorded.
Black Flag was formed in 1977. We first recorded in 1978.
"Snapped" happened maybe like two months after I released the mixtape. I just like took a break from recording and that was the first song I wrote and recorded after the mixtape.
It's happening right now. . . it's just not on film, it's not being recorded.
My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way. . . they sound as country or more country than a lot of things that are on country radio.
At the beginning, I felt sort of reluctant about my music from my past. But in the last couple of years, I felt good about what I did in the past. The way I see my work, time passes from the time I performed or recorded a work. When I look at it now, 25 years or 30 years ago, if I see that it has value today, I will agree to release it.
Gone are the days when your indiscretions at university were recorded in a roneoed college newsletter of which there is only one copy left tucked in a filing cabinet at the back of a library. Today that same college newsletter is online, accessible by the whole world now and forever.
Be careful. Everything you say, every single day, may be recorded in your students’ hearts forever.
I never dreamed that my future would be my husband's past. But it's such a huge past in terms of the recorded content.
Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor. Probably even more so than the Brazilian flavor, there's an African, South African and West African influence and on a couple of other tracks there's some Latin flavor and there's some Indian tables on one track, all centered around my jazz guitar and acoustic guitars, and very much a Lee Ritenour sound.
I was trying to actively get away from music, I guess. But I recorded a whole bunch of instrumental piano songs.
A conflict arises when a religious community insists on the absolute truthfulness of all statements recorded in the Bible. This means an intervention on the part of religion into the sphere of science; this is where the struggle of the Church against doctrines of Galileo and Darwin belongs.
Mary Ocher gives me the chills, she frightens me with her feral soul. Her sound is of a true outsider artist, immaculately self possessed. Was this recorded this century? Or out of a basement that's she's been imprisoned all her life? Time to set her loose on the world. I'm so happy she exists. Set me free Mary!
The second disk was taped at our all-night anniversary show. And some of those sets are taped at like 4:30 or 5 in the morning, when people are a little groggy and not doing what they would do if they knew it was being recorded. That said, that disk has an entirely different flavor. It's more experimental. It has more of the newcomers on it. It has people doing stuff that you won't see on Comedy Central or HBO specials.
Exasperation with the threefold frustration of action -- the unpredictability of its outcome, the irreversibility of the process, and the anonymity of its authors -- is almost as old as recorded history. It has always been a great temptation, for men of action no less than for men of thought, to find a substitute for action in the hope that the realm of human affairs may escape the haphazardness and moral irresponsibility inherent in a plurality of agents.
I do not believe that the Constitution was the offspring of inspiration, but I am as satisfied that it is as much the work of a Divine Providence as any of the miracles recorded in the Old and New Testament.
I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
Some people only work to recorded music because it's so reliable and exactly the same every time, which is exactly why I don't.
Radio is a wonderful medium, but the clock is very unforgiving, and the discussion of this matter included in the interview as originally recorded had to be cut to fit the allotted time. I am happy to provide this elaboration to correct the record.