I go straight from thinking about my narrator to being him.
I always have to remember that I am the narrator, but it doesn't have to be about me. A lot of songwriting is about trying to use what part of me is valid in telling the story. I don't want to overcook it, you know? Sometimes it seems that's really where the work is.
I just respect audiences to understand that that's what goes on in movies. I just try to make movies that respect the intelligence of the audience. Respect that they understand that the narrator is always unreliable and respect that they understand that the medium can do whatever it wants.
Narrator: You had to give it to him: he had a plan. And it started to make sense, in a Tyler sort of way. No fear. No distractions. The ability to let that which does not matter truly slide.
Confession makes you a more trustworthy narrator.
Everyone is interesting except the narrator in a first-person story.
I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
I think every narrator is an unreliable narrator. In its classic definition - an unreliable narrator is one who reveals something they don't know themselves to be revealing. We all do that.
I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's appropriate to; for example, an internal monologue by a locquacious and verbose narrator is more likely to be larded with adverbs than an exchange of instant messages between cops at a crime scene.
The ‘I’ character in journalism is almost pure invention. Unlike the ‘I’ of autobiography, who is meant to be seen as a representation of the writer, the ‘I’ of journalism is connected to the writer only in a tenuous way—the way, say, that Superman is connected to Clark Kent. The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.
I feel like if you aren't honest and if you don't let go and ease up off of the narrator, then the story doesn't take up a life of its own, and the characters can't take up a life of their own. You handicap the story when you try to protect your characters.
She was like a heroine in a novel that she herself was writing the character kept protesting that she was too strong for love and yet the narrator went on describing her desire.
***A Last note from your narrator*** I am haunted by humans.
My first job after my retirement from baseball was as a narrator for the Eastman Philharmonica.
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
I am voice actor Roger Craig Smith. You may know me as Batman, Captain America, Sonic the Hedgehog, Ezio from Assassin's Creed, Transformers: RID, or narrator of “Say Yes To the Dress” (among many other things). AMA!
I chose the title Dogwalker because that describes me pretty well. I spend a lot of time walking around with my dogs. I'd say the narrator is me in an alternate universe.
The Polar Express was the easiest of my picture book manuscripts to write. . . Once I realized the train was going to the North Pole, finding the story seemed less like a creative effort than an act of recollection. I felt, like the storys narrator, that I was remembering something, not making it up.
I'm surprised how often I'm asked about being a man with a woman narrator. I'm not the first, nor will I be the last. It's been done forever, but we seem to forget that. The whole notion of "write what you know" is not just boring, but wrong. Lately it seems like every novel has to be a memoir. I'm a boring person, but I'm a writer with a relatively vivid imagination. And when people ask me about how I find the voice of a woman, I tell them that my life is run by women.
