I believe in looseness.
By its very looseness, by its way of evoking rather than defining, suggesting rather than saying, English is a magnificent vehicle for emotional poetry.
I consider looseness with words no less of a defect than looseness of the bowels.
Whenever we can make 25 words do the work of 50, we halve the area in which looseness and disorganization can flourish.
It's fun to be loose. Just like on stage, all of your great ideas come from looseness.
"Best in the world," "lowest price in existence, " etc are at best claiming the expected. But superlative of that sort are usually damaging. They suggestion looseness of expression, a tendency to exaggerate, a careless truth. They lead readers to discount all the statements that you make