I would like to play with electronic keyboards again.
Mozart encompasses the entire domain of musical creation, but I've got only the keyboard in my poor head.
I drink tea pretty much continuously at a rate of around 1 imperial pinthour, which sort of enforces screenkeyboard breaks.
I've always been fascinated with the juxtaposition of technology in music, not only in recording, but in the keyboard. It's amazing the way you can apply technology to an art form.
It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.
So, I really don't consider myself a fabulous keyboard player.
When I'm online, I'm alone in a room, tapping on a keyboard, staring at a cathode-ray tube.
So I'm in the library, and I have keyboards out and my headphones out. Everybody's like, "Mike are you making beats right now?" and I'm like, "Yeah. . . sorry!"
But I always wanted to do a theatrical stuff. But when you're in a metal band of course you're limited because five people in the band, um, you've got no keyboards. . . you're limited. And I wanted. . . to go over-the-top, you know. Literally. I wanted to make an album that people would either hate or love.
The most exciting mobile trend is full Qwerty keyboards. I'm sorry, it really is. I'm not making this up.
I am not a keyboard person. The mouse is better.
I detest flying anywhere. Left to my own devices, I'd never leave my keyboard.
Keep your head in the clouds and your hands on the keyboard.
He started to touch the mechanism under the keyboard, then pulled his hand back with a snap. "Ah," he said. "Must deactivate the security. . . . Turn around, please. " "What?" "Turn around, Claire. It's a secure password!" "You have GOT to be kidding. " "Why ever would I joke about that? Please turn.
With the help of modern technology, I can compose intricate keyboard parts and then I have to go back and learn them in order to perform them properly.
I wish we hadn't used all the keys on the keyboard.
Imagine you are writing an email. You are in front of the computer. You are operating the computer, clicking a mouse and typing on a keyboard, but the message will be sent to a human over the internet. So you are working before the computer, but with a human behind the computer.
About 70 percent of everything is really sketched out on my keyboard beforehand, because I do want accidents to happen in the studio.
You could make your fingers reproduce exactly what you felt, if you really worked at it. I achieved it, not only spending a lot of time at the keyboard but finding ways I could make my fingers reproduce my deepest feelings. It meant, when you hit a note with a finger, you sank into that note all the way to the bottom of the keyboard until it went pow! Right?
A mouse and a keyboard is not a good performance instrument.