The director's job is full of all sorts of annoyances and details - like how many cars are on the street. Ugh. I don't want it. I like my gig. And I feel that for the next 30 years or so I can keep learning more about it.
Realize that sleeping on a futon when you're 30 is not the worst thing. You know what's worse, sleeping in a king bed next to a wife you're not really in love with but for some reason you married, and you got a couple kids, and you got a job you hate. You'll be laying there fantasizing about sleeping on a futon. There's no risk when you go after a dream. There's a tremendous amount to risk to playing it safe.
Doing all the rig work and the stunt work has actually been wonderful. It's a whole new skill set that I've learned that I'll get to take onto my next jobs. We get to do that all the time, the fighting and the learning new moves. It's quite exciting.
Winning tends to heal uneasiness and promote job security.
It's hard to say that my twenties were the most miserable time in my life or that my first wife drove me crazy or that I hated the job that I had. You can say all of those things. But for the most part, people manage to have a good time when they're that age.
Anybody who was in the military or a military family has a certain sensitivity to the separation. Everyone knows military wives have the hardest jobs. I was born into one. When I think back to those days, I didn't appreciate it then.
I think I'll be fine in New York. If I could stay here and just get jobs in New York, that would be fine and that's what I'd want to do. I don't want to move.
We have to build an economy that works for everyone, not just those at the top. That means we need new jobs, good jobs, with rising incomes.
How would you like a job where, if you made a mistake, a big red light goes on and 18,000 people boo?
I intend to fight to ensure that Connecticut workers have a level playing field when competing for jobs.
As I see it, my job as a writer isn't to judge, but to take a reader as far inside as I can and let them dwell there.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
I was just worried about my nose-job.
I think day care is terrific. Kids get to be around other kids, and they're playing, and they're teaching each other. When I was in college, my summer job was being a preschool teacher. I loved it, and after that experience, I said I can't wait to put my kid in day care because I could see how much they loved it.
I worked at a group home for a survival job years ago, and kids who have a rough home life have always tugged at my heart-strings. I also care a lot about animal cruelty.
Same job, whether it's comedy or drama. Regardless of the weight of the role, I feel like the job is always kind of the same. Who is this person? What's this guy here, and how is he playing with this thing, and what's he trying to say? And what's the volley with all these other people around him?
Your skin will get better, you're going to be more attractive, you're more likely to get a job - all the things you want, you will get as a result of being in a more calm place.
My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
It's my job to find the cornel of truth and then exaggerate, exaggerate, exaggerate until it's of an appropriate scale.
The American people deserve a budget that invests in the future, protects the most vulnerable among us and helps to create jobs and economic security