That dude Stephen Falk that created You're The Worst, he used to work on the show Weeds, and we sort of came across each other then because he's a fan of podcasts, and he would listen to Doug Loves Movies. And then I auditioned for a part on Weeds and didn't get it, but it was an episode that he had written, so it was his idea to bring me in. We just sort of kept in touch. And then eventually, he and other cast members of You're The Worst were guests on Doug Loves Movies.
So why are we having to fight in 2012 against politicians who want to end access to birth control? It's like we woke up in a bad episode of 'Mad Men.
If all the actors are in the recording session at the same time, you can record all voices for one episode in an hour. Of course, the animation takes longer but the voice acting is done very quickly.
We're gonna play a little bit of a game here [Person of Interest movie]. Greg and I felt like we had responsibility when we wrapped up the pilot, to have a roadmap for where the show went. When we pitched the pilot, we knew what we wanted the last episode to be, the last image, I think we even know what the last song is.
I was lucky enough myself to have been in Dad's Army for an episode.
Boy, am I glad there wasn't a fourth episode of Lord of the Rings.
Plan for each episode to be a satisfying experience, but still leave the audience thinking, 'Oh, my God! Now what?
I grew up in the suburbs of Chicago, and in spite of what most people might have expected from a young girl growing up deaf, life for me was like one long episode of 'The Brady Bunch. ' Despite whatever barriers were in my way, I imagined myself as Marcia Brady skating down the street saying 'hi' to everyone, whether they knew me or not.
My favorite episode is where the guy has a relationship with his car. An intimate and sexual and emotional relationship with his car.
Love which is only an episode in the life of men, is the entire history of the life of women.
My husband and I oddly have worked together a couple of times. We did a 'Veronica Mars' episode together. We didn't work together, but we were both in 'Ghost World. ' We had a theater company in L. A. , for a bunch of years. So, we've worked together a fair amount, and it's always just great fun.
Love is the history of a woman's life; it is an episode in man's. [Fr. , L'amour est l'histoire de la vie des femmes; c'est un episode dans celle des hommes. ]
What are people going to expect when they sit down to watch a new episode of Black Mirror? And what you're going to expect is somebody with a translucent TV in a drone strike and a robot walking by. . . or frowning at a phone and going 'aaah! Oh no! I've just deleted my own leg!' or whatever. So I thought well, let's not do that.
A mother deserves a day off to care for a sick child or sick parent without running into hardship - and you know what, a father does, too. It's time to do away with workplace policies that belong in a 'Mad Men' episode.
Really, the idea of creating consistent quality of a show is complicated. It's not like making refrigerators. There's something very specific to each one of the shows, each episode of each show and that involves a really great team doing great work.
There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J. R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.
Time moves on. You can't go back in time. Everything has a consequence, and the last episode of the last season is no exception.
Every year the hunters shot cows and horses and family pets and each other. And unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner
One of the things I noticed about the '2 Broke Girls' pilot was that it looked like a new episode in a season and not a pilot, and that's an amazing sign.
Arrested Development never felt safe. Even the first season, we did thirteen episodes, and we thought we'd never do a back nine. So I never thought in a million years we'd get to make three seasons. I was happy we got that far. I thought it was really good, and I'm really proud of it. I don't think we made a bad episode.