[My early performance work] started by being the activity of a person, any person, like any other - but once that person became photographed it became a specialized person, the object of a personality cult.
The easiest way to kill a cult is to make that cult accessible.
To some extent, the cult surrounding black-and-white photography is based on nostalgia.
I see very small movies being financed by crowdfunding. If you're a well-known actor or celebrity of some sort, you can probably raise between one and two million. I don't have that kind of cult [following].
Typically cult groups target universities and colleges. Most likely those schools that maintain campus housing.
This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.
I seem to have a knack for picking movies that go on to be cult favorites.
I'm not saying Donald Trump voters are a cult at all. I'm saying the attitude of implicit trust, people don't trust politicians like that, and yet a lot of people will profess blanket trust of Trump.
When I was on 'Dallas,' I was known to audiences of the '80s. And then when my sons, who are in their 30s now, were going to college, 'Dallas' was the cult thing to watch because it was being done on the soap channels, so a whole new generation saw it. And then I have the young fans that knew me from 'Step By Step' in the '90s.
I formed a band called Atomic Rooster. The Atomic Rooster was sort of an underground cult band, sort of psychedelic. We did very well.