As a general habit and general tendency, I prefer not to bog a piece down with a great number of transitory, contemporary references, because in the end, I'm concerned, not in an abstract way, but an actual way, with creating a world which has a universality to it - even though what goes on is made up of texture and detail, contemporary detail.
X-Pac, I feel terrible that you have to come out here and defend the integrity of a woman who has absolutely none. I mean as far as Stephanie McMahon-Helmsley is concerned the word honor means jump on her and stay on her. Well, let's spell that word H-O-N-O-R. I guess Stephanie is half of that. After all she is a filthy, dirty, disgusting, brutal, skanky, bottom feeding trash bog H-O. And no amount of defending will ever, EVER change that!
What a bog and labyrinth the human essence is. . . We are all overbrained and overemotioned.
You needn't take it any further, sir. You've proved to me that all this ultraviolence and killing is wrong, wrong, and terribly wrong. I've learned me lesson, sir. I've seen now what I've never seen before. I'm cured! Praise Bog! I'm cured! I was cured alright.
[ Age Of Trump] was something that I really wanted to do, and I also really wanted it to feel evergreen, so we made a lot of attempts not to bog it down in the campaign fight, even though we were right in the middle of that. I wanted it to be something that could live on and be a conversation piece long after this inauguration, whoever it was going to be.
I have great childhood memories cow-tipping, going off and getting lost in the bog for hours, and coming home covered in dirt.