My process of working is not really that unique. I like to paint during the day, and block out large chunks of time with which to work. I prefer to work on a painting in a few swift passes, and not fuss over it. I think that the work needs to have an energy to it that can't be accomplished if one is adding a few strokes everyday. Once a piece is done, I don't work on it anymore. I hate fussy.
Stand By Me' was really great for me and my buddies; we'd all watch that together because that was us - we were down in the creek and hanging out every day and going on little adventures. I had about sixteen friends who are all about the same age as me and lived in a three-block radius. We spent our entire childhood down in that creek.
To sit in solemn silence on a dull, dark dock in a pestilential prison with a life-long lock awaiting the sensation of a short, sharp shock from a cheap and chippy chopper on a big, black block.
If you smash a city when you're trying to capture it, you actually end up providing the perfect terrain for the defenders while blocking the access for your own armoured vehicles.
If isolation tempers the strong, it is the stumbling-block of the uncertain.
Health-wise, I couldn't have said what my life expectancy would've been if I'd just carried on doing solid blocks of stand-up.
Anytime I see someone blocking the aisle in the supermarket while talking on a phone, I want to ram that person with my shopping cart.
I was born in 1953, in Paris. But soon after my birth my family (I have one sister) moved into a rent apartment in suburbs of Paris named Romainville. That time my parents were freshly married and it was extremely hard to find an apartment in Paris for a young married couple. To say they found a flat in a blocks of houses which was built after the second World War - and this is the place where I spent my childhood.
Bad improvisers block action, often with a high degree of skill. Good improvisers develop action.
Well, there was stuff going on, heroic events. One was what used to be, and probably still is, the largest moving project in history. The headquarters of the Bell Telephone Company used to be brick. What they did was take the old brick building - with the operators in there saying, "Number please" and all that - and they put it through a quarter of a turn and moved it half a block!