One can steal ideas, but no one can steal execution or passion.
I've always thought that I've been strong in what I believe in. Not that I know what I believe for absolutely everything, but the things that I do believe, it's very black and white, and yes and no.
Looking at a black and white photograph, you are already looking at a strange world.
Any time you stop looking at evil as a black and white thing, it's helpful. So the fact that there won't be any obligatory Islamic terrorist stereotypes in movies any more, that'd be helpful.
When I drive through a field, I want to see green grass sometimes, and I don't want to see black and white.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
In general, I think every novel is a political novel, in that every novel is an argument about how the world works, who has power, who has a voice, what we should care about. But political novels can be boringly polemical if they end up being too black and white, too one dimensional, like war is bad, killing people is wrong.
Color television! Bah, I won't believe it until I see it in black and white.
The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
the only truth is face to face, the poem whose words become your mouth and dying in black and white we fight for what we love, not are
It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.
Judgment is easy: it is black and white, as brutal as a gavel strike.
The resistance to black-and-white is huge, in the way that you have to sell the film. It's difficult to distribute around the world.
Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.
Nobody has shot a strip club in black and white in a long time.
There are two kinds of people in the world—only two kinds. Not black or white, rich or poor, but those either dead in sin or dead to sin.
I'm always astounded at the way we automatically look at what divides and separates us. We never look at what people have in common. If you see it, black and white people, both sides look to see the differences, they don't look at what they have together. Men and women, and old and young, and so on. And this is a disease of the mind, the way I see it. Because in actual fact, men and women have much more in common than they are separated.