I prefer neurotic people. I like to hear rumblings beneath the surface.
Stir not murky waters if you know not the depth or the creatures that dwell beneath the surface.
By choosing not to allow parts of ourselves to exist, we are forced to expend huge amounts of psychic energy to keep them beneath the surface.
Is it not clear that a reviewer's psyche, like an iceberg, is seven-eighths beneath the surface?
Whether it is photography, assemblage art or filmmaking, my work is to see beneath the surface.
The past lies beneath the surface, intransigent truth. Remembered or not, what we say and do remains, always.
I'm interested in psychic phenomena, I'm interested in things that are happening invisibly beneath the surface.
When critics disagree the artist is in accord with himself.
All art is at once surface and symbol.
You never know what lurks just beneath the surface of my fragile sanity.
Death is always there, just beneath the surface.
I like neurotic people. I like troubled people. Not that I don't like squared-away people, but I prefer neurotic people. I like to hear rumblings beneath the surface.
It's the spectator, and not life, that art really mirrors.
The world is satisfied with words, few care to dive beneath the surface.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril.
I get drawn in when I feel there is something deep and mysterious going on beneath the surface of something.
We are like icebergs in the ocean: one-eighth part consciousness and the rest submerged beneath the surface of articulate apprehension.
If you actually dissect the lyrics in 'Motley Crue', you'll notice that there's a lot going on beneath the surface.
I don't dig beneath the surface for things that don't appear before my own eyes.
