With directing, your day is done. When you hit seven o'clock, it's "Cut. " That's what it is. For better or worse, that's what you've got and you have to make that work, and there's something incredibly liberating about that because you can't torture yourself. You have to focus on the moment, and you have to embrace every second and opportunity and maximize that, whereas with writing, there's no imperative there. You just amble along.
You Jig, you amble, and you lisp.
Thou hast had thty day, old dame, but thy sun has long been set. Thou art now the very emblem of an old warhorse turned out on the barren heath; thou hast had thy paces in thy time, but now a broken amble is the best of them.
Arise from sleep, old cat, And with great yawns and stretchings. . . Amble out for love
As long as you have faith, you're willing to try to take another chance. God wants you to amble toward the right spot on the horizon. The idea is that you're willing to get up and keep moving toward that light.
Sometimes it's a huge amble, where you're just on top, on the lid, and it's not going anywhere, and sometimes you walk on the stage and from the first note, the afterburner kicks in and you can't stop it.
