If people recognize me from 'The Vampire Diaries,' they just give me that look that's like, 'I think I know you. I think I saw you boxing in 1912, but I'm not sure,' because it was such a short-lived run.
It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S. ' (1912) and the 'Seated Woman' (1914).
All statements about the hydrides of boron earlier than 1912, when Stock began to work upon them, are untrue.
The laws of art are eternal and don't change at all, as the moral laws don't change in human beings. (in discussion with Franz Marc who demanded in 'Der Blaue Reiter' around 1912 a new art, in relation to its own - changing - time).
As a consequence [of a closed economic circle], in 1912 there was not a single Irishman who sat on a single board of a major Boston bank.
