When producers want to know what the public wants, they graph it as curves. When they want to tell the public what to get, they say it in curves.
The tension between standing apart, and being fully involved; that is what makes a writer.
In various and different circumstances certain objects and individuals are going to turn out to be vital. The wager of survival cannot, by its nature, reveal which, in advance of events.
There is no moral authority like that of sacrifice.
The facts are always less than what really happened.
Disaster is private, in its way, as love is.
The creative act is not pure. History evidences it. Sociology extracts it. The writer loses Eden, writes to be read and comes to realize that he is answerable.
There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.
We are living in a world where the individual must learn to command the raw materials of expression. He must not be dependent all the time on the ready-made, the finished product. It's the transferring, the changing of the raw into what is the expression of your own self – the whole joy and satisfaction and frustration of life is built into this.
I am very, very competitive and ambitious. I would definitely fight hard for a role I believed in.
Beware the tyranny of the weak. They just suck you dry.