In this world, there is a fine line between enlightenment and brain damage.
And in their motions harmony divine So smoothes her charming tones, that God's own ear Listens delighted.
[Rhyme is] but the invention of a barbarous age, to set off wretched matter and lame Meter;. . . Not without cause therefore some both Italian and Spanish poets of prime note have rejected rhyme,. . . as have also long since our best English tragedies, as. . . trivial and of no true musical delight; which [truly] consists only in apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another, not in the jingling sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory.
In those vernal seasons of the year when the air is calm and pleasant, it were an injury and sullenness against nature not to go out and see her riches, and partake in her rejoicing with heaven and earth.
All is not lost, the unconquerable will, and study of revenge, immortal hate, and the courage never to submit or yield.
The end then of learning is to repair the ruins of our first parents by regaining to know God aright, and out of that knowledge to love him, to imitate him, to be like him, as we may the nearest by possessing our souls of true virtue, which being united to the heavenly grace of faith makes up the highest perfection.
Thus with the year Seasons return, but not to me returns Day, or the sweet approach of ev'n or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine.
I wanted so terribly to be good to him.
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
I'm a woman, born the daughter of a feminist and the granddaughter of a feminist grandfather. I don't think I could have avoided working on women's issues. I don't do it as a career or profession; it's my very essence as a human being.
When you live for many hundreds of years, you know that every opportunity will come again.