I think my worst nightmare is standing up in front of a group of people.
Fashion, art, and architecture are all so tightly connected; I think the way to approach referencing these art works is by capturing the essence.
The definite link between all the women who wear my designs is that they are strong, independent, and with their own opinions.
I think the main thing over time is that you gain confidence and are able to tell your story better and stronger.
My roots are very closely tied to the DNA of the brand. Growing up in Serbia where women are unapologetically very feminine, I came to London and realised that I wanted to keep this feminine element but give it a twist and challenge ideas of classical beauty.
I am not very good at reflecting. I am a complete perfectionist and always thinking to the next thing!
I am constantly looking to push boundaries with materials, bring in new weights, and work in fabrics unexpectedly.
That's insightful, but equally insightful is what they say afterwards. The other thing that I always point out is it's one thing to talk to the candidate. It's quite another to talk to the staff, and that's when you find out what's really going on.
But any perception of this application being speeded up requires me to take responsibility.
The silence of prayer is the silence of listening.
She squeezed my hand, and I drew a shaky breath, marveling at the fact that while on an ordinary leave in an ordinary place, I'd somehow fallen in love with an extraordinary girl named Savannaah Lynn Curtis.