François Arnaud may refer to:
I'm not sure I'll find acting satisfying creatively forever. If you get the good roles, it's great - if you have the freedom to choose your projects and not just do anything and everything. But I'd love to artistically commit to a project from beginning to end, which I think you can only do as a writer or director.
You definitely shouldn't watch the special features before you watch the actual series.
Im not sure Ill find acting satisfying creatively forever. If you get the good roles, its great - if you have the freedom to choose your projects and not just do anything and everything.
I like languages. I like working on different accents. I speak English, French and Spanish. I'd love to learn more but I think, as you get older, your brain is a bit slower.
But for me, to get the tattoo was part of moving into adulthood. Making a choice that is permanent and that I'll have to stick with.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
I feel like I'm getting closer and closer to myself with time, not only in terms of my career choices, but the choices I make within one role or performance. I used to compose characters that were farther from me, but I find now that I like to craft a subtle composition, a subtle change in your essence.
I think there comes a point in probably most father-son relationships where the son kind of starts becoming the parent.
I know that sometimes you have to reason with yourself and say, "This is just TV" or "This is just a movie," but I think also as an actor it's your job to find it so very important.
I felt for a really long time, "When I grow up I want to be an actor. " And now I'm like, "Oh, this is it now. This is my life. "
I feel like there's a desire for a sense of permanence that is growing in me.
I'm not in the business to promote myself. I'll happily promote the show that I worked so hard on - that's fine. But I feel like there's a shamelessness about promoting yourself now that I'm really uncomfortable with. People will say, "Look at me being so peaceful on this hike," but you're absolutely not being peaceful, you're focused on looking good because you're getting your picture taken.
I'm an actor, but it sort of has to feel serious on a different level. I have to be happy with the choices I make now; it can't just be in hopes of creating a better future for myself. It has to bring me fulfillment. I have to find a way to be happy today.
I try to find meaning or value in most things and be as diverse as possible.
When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won't. I like that - to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they're more comfortable talking about emotional stuff in a certain language or political stuff in another and that's really interesting, how people relate to those languages.
Now people are celebrated for being obsessive.
Some artists go through life not realizing that they have to be happy today. They're always thinking about the next job or the next thing: "I'll get this, then I'll be happy. " Then you're miserable.
I have never seen a ghost, no. Or I've buried it deep in my subconscious.
I still feel like I'm 19. We're old now!
I never wanted to be famous or get any sort of recognition for my person or my personality; it has always been for my work. There's something that bothers me intrinsically about social media, but it's just expected of you now. It's almost part of your contract. But that's not what I'm selling. I don't want to sell anything.