Sometimes something intrigues me about particular sounds, how they work together, and I think "Okay, I've found something here; I'm going to take it somewhere. " And sometimes just to find a name for that sound, whatever it is, ends up becoming a title of the piece or becoming part of the title.
Like a boxer in a title fight, you have to walk in that ring alone.
Now, as a reader, you shouldn't feel the decisions the writer makes about this DNA, or it would be boring beyond belief. But, as a writer, you're struggling to make these decisions. What should the title be? What's the first line? The point of view? And the struggle with the decisions is because you're trying to figure out WHAT IS THE NOVEL, WHAT IS THE NOVEL?
Brooke?” I puff out a sigh. “For chrissake, Reid, who do you think it is? And haven’t you put me into your contacts yet?” “Yeah. . . It just says Satan, though, and I forgot I’d assigned that title to you.
Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.
Everything that happened in '92 was more than I had dreamed of. . . winning the U. S. title for the first time and then doing so well at the Olympics. . . It seemed to wrap things up so perfectly. I couldn't help thinking, 'How could I top that?'
It gave the title to Manchester City - it's as simple as that.
Men being born with a title to perfect freedom and uncontrolled enjoyment of all the rights and privileges of the law of nature. No one can be put out of his estate and subjected to the political view of another, without his consent.
I want whoever has the title in a couple of months.
Everywhere I go, the kids call me 'the book lady. ' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.
I feel that when you are a world champion, your title has to be taken away from you.
I've always been fond of the glam-rocker title.
The title is the first thing that I have. Then when I have that title, I have to make sure that the title. . . is like, so. . . I have to make sure I can tell a whole story from that one title and like make sure that it, from beginning to end it makes sense.
I know I probably never will win the league MVP or passing title. That is not why I play the game. I try to win football games and championships.
Title deeds generally outlast poems.
Mother is not a title. Mother is a verb. It is not who you are. It's what you do.
Let us start with the title of War and Cinema. The important part of the title is not War and Cinema.
. . . but with my clamoring ego solidly in place, I considered the title, 'Memories of a Failed Nobody'.
I think I'm an optimistic person. Ultimately I believe in people. I believe they can be robust. When my collection Delicate Edible Birds came out there were one or two people who read the title as being a commentary on the characters within the pages, the women in the book, meaning that they were these fragile girls meant for male consumption. But I had meant the opposite - these people are tough. Dark things happen to them but they get on with life as best they can.
The charming landscape which I saw this morning is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is property in the horizon which no man has but he whose eye can integrate all parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title.