Radio voices have a solid, even texture.
A little bit more than 50% of what you see on screen is handcrafted and the other 50% was about emulating these textures on the computer. However, for us, when we were making it, we had to believe it was all handcrafted.
Dwelling on pain, spending too much time immersed in it, tasting its flavors, fingering its textures--this makes it only more potent.
The texture of experience is prior to everything else.
The spiritual experience of the philosopher is the nourishing soil of philosophy; that without it there is no philosophy; and that, even so, spiritual experience does not, or must not, enter into the intelligible texture of philosophy. The pulp of the fruit must consist of nothing but the truth.
I try to write about complex issues--young people in an adult world-- full of irony and contradiction in a narrative style that relies heavily on suspense with a texture rich in emotion and imagery. I take a great deal of satisfaction in using popular forms-- the adventure, the mystery, the thriller-- so as to hold my reader with the sheer pleasure of a good story. At the same time I try to resolve my books with an ambiguity that compels engagement. In short, I want my readers to feel, to think, sometimes to laugh. But most of all I want them to enjoy a good read.
Historically, women's voices were central to food narratives, yet they were marginalized, and what happened at the table, the kitchen, the garden, and the fields was silenced. I'm very interested in how food appears in the historical record and animates our understanding of the South. It provides texture both to the past and to our contemporary experience. My work is not about discovering new voices, but rather it encourages voices that have been silenced to come forward and speak a little louder.
I'm obsessed with textures. We're surrounded by so much vinyl that I find myself constantly in pursuit of other textures. One time I removed all the hair from a mouse with Nair-Hair just to see what it looked like. And it looked beautiful.
Time could truly be made to stand still. Texture could be retained despite sudden violent movement.
Hands are our earliest tools. Cooking starts with the hands which are so sensitive that when they touch something they transmit messages to your brain about texture and temperature.
Man is an onion made up of a hundred integuments, a texture made up of many threads. The ancient Asiatics knew this well enough, and in the Buddhist Yoga an exact technique was devised for unmasking the illusion of the personality. The human merry-go-round sees many changes: the illusion that cost India the efforts of thousands of years to unmask is the same illusion that the West has labored just as hard to maintain and strengthen.
I imagined that if the surface of the package imitated the colour and texture of the fruit skin, then the object would reproduce the feeling of the real skin.
Surfaces reveal so much. The marks painters make reveal so much about their work and themselves; their sense of proportion, line, and rhythm is more telling than their signature. Looking at the surfaces of nature may offer equivalent revelations. What do these shapes and patterns reveal about the world and their creator? Surfaces hide so much.
There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it.
In Kid A and Amnesiac, the guitar becomes one more texture, difficult to separate from other textures.
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.
Superstitions add texture to life.
Everyone makes pesto in a food processor. But the texture is better with a mortar and pestle, and it's just as fast.
Trees which grow in places facing the course of the sun are not of porous fiber but are solid, being drained by the dryness. . . The trees in sunny neighborhoods, therefore, being solidified by the compact texture of their fiber, and not being porous from moisture, are very useful, so far as durability goes, when they are hewn into timber. The lowland firs, being conveyed from sunny places, are better than those highland firs, which are brought here from shady places.