Nobody inspired me more than Julie Andrews, who is a classically trained soprano herself.
I really wanted to be an opera soprano.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.
It's great to hear someone really care for the soprano saxophone.
Who the hell uses a burner cell phone when they're not trying to hide something? [. . ] Only dope dealers, and Hell's Angels, and Tony Soprano use burner cell phones.
Opera was an enormous part of my childhood. My parents were both opera buffs, and they met in the box seat of an opera performance. And I also was a boy soprano, so before puberty hit, I was onstage playing a wide variety of orphans and urchins in all sorts of operas, and the sheer melodrama of their stories was just always appealing to me.
I love to sing. I'm a soprano.
The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.
Maybe there would be a bad outcome for some of the others, but no one was going to shoot a soprano.
I hardly ever belted; I was a soprano and a comedienne and intended on doing mostly soprano legit roles but my first equity show, to my surprise, was Blues in The Night at The Cleveland Playhouse.
Being lectured by the president on fiscal responsibility is a little bit like Tony Soprano talking to me about law and order in this country.
I must be the oldest living child soprano.
The tendency of modern American women to exclaim 'Hiiiiiiiiiiii!' in soprano octaves and hug each other upon sight can be disconcerting to those unfamiliar with it.
Shortly after this I was made a member of the boys choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much.
