It was a few days later I came out to Hollywood for a screen test, and so did a lot of other people. So, I really didn't think I would get it. I was definitely the one that was least likely to get it, because everyone else was an already established star.
One sign of a great actor is when he can be alone by himself on the screen, doing almost nothing, and producing one of a film's defining moments.
It is important to be conscious of the message that you're putting out there. It takes a lot of blood, sweat and tears to get a movie to the screen. I do feel a certain element of responsibility to say something worth saying with it, as well as entertainment.
When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.
Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that. "
American commercial cinema has long been dominated by men, but I don’t think there has ever been another time when women have been as underrepresented on screen as they are now. The biggest problem isn’t genuinely independent cinema, where lower budgets mean more opportunities for women in front of and behind the camera. The problem is the six major studios that dominate the box office, the entertainment chatter and the popular imagination. Their refusal to hire more female directors is immoral, maybe illegal, and has helped create and sustain a representational ghetto for women.
Realisation is nothing new to be acquired. It is already there, but obstructed by a screen of thoughts. All our attempts are directed to lifting this screen and then realisation is revealed.
Screen credit is valuable only when it's given you. If you're in a position to give yourself credit, you don't need it.
To me, casting is all about finding a character within the actor off the screen as much as on the screen.
Even with the most stupid video games, kids learn more about learning than they ever did before, because they want to learn codes and moves before other kids figure them out. They're motivated to seek out someone or search the Net for help. A student who makes a video game has to solve mathematical problems to make special effects happen on the screen.
I am not an actress. I can only play me - on and off the screen.
My photographs are not really about photography. They are about editing. I use photography but they are all taken from the TV screen. Anybody can do that, but it's the order I put the pictures in to try to create a new kind of movie, something that you can put on your wall.
When you're writing for the screen, you have to be hyper-conscious every moment of how the audience is going to react. If you write just one scene where the audience is confused or it breaks their concentration in some way, then you've lost them, and you might never get them back.
Probably 95 percent of the things that are written never get on the screen.
Unlike sitting at a computer screen, printing is very direct and hands-on.
I never like seeing myself on screen.
Limit or eliminate late-night computer and television viewing. A computer or TV screen may seem much dimmer than a light bulb, but these screens often fill your field of vision, mimicking the effects of a room filled with light.
I dont really like simple characters too much; its too easy. I like a challenge, and I like characters you connect with on screen.
Tell all the fans that I completely adore them, and tell them I say, 'Thank you so much', for their love and support; and that I miss them terribly, and hopefully I get to see them or they get to see me up on the screen soon. And send my love, definitely.
I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.