Look at the score at the end of the #game.
My best score ever was 103, but I've only been playing 15 years.
I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.
When we've got the puck, they can't score.
Literature is the only art in which the audience performs the score.
The thing I learned when I was playing was that your best way of winning was to make it difficult for the other team to score in the last three innings.
It's the vision of the composer that we have to determine, and not the absolute mathematical adherence of the score. In my experience, there have been occasions where I feel that a composer has not notated something as they meant to have it represented.
When people score films, the job is to be visual. When people make music, it's about evoking feeling. It's great when you get both feelings and being out of their head.
You gotta score to put points on the board.
When time is running out and the score is close, most players are thinking, I don't want to be the one to lose the game, but I'm thinking, What do I have to do to win?
If I score against Liverpool I will not celebrate.
If you go to ice and you think, 'I must score' or 'I must get some points,' you won't score or get any points. You must go and play and don't think about it.
You speak bad of me, I score goals.
If you don't score, and you have chances, you are disappointed.
The expansion I have in mind isn't the same as distortion. Of course, there are those who say their views represent Reformed thought, but what they end up with is a caricature of what Reformed thinking is really about. I hope I am not one of those people, but readers [of the Saving Calvinism] will have to make up their own minds on that score!
The only important statistic is the final score.
We want the ball, and we’re going to score
The score must govern the music. It must have authority, and not merely be an arbitrary jumping-off point for improvisation.
I love coming in for quick pops. You come in. You score. You leave. You're on the golf course. It's great. You don't carry any story.
I can score 20 points if I want to, but that's not my desire.