I don't think of myself as a rebellious artist, a lot of people have said that about me because I came from Cornwall and choose to paint people in what they considered to be an urban style instead of Cornish landscapes. I've never agreed with them. It's bullshit.
I've had to do all kinds of jobs to pay the rent. I've even worked in a Cornish tin mine.
Friends of Bernard's [Leach] came to visit, and when we went to London, we were given introductions to people like Lucie Rie, Hans Coper, Richard Batram. All these people were, let's say, made available to us by a friendship with Leach. In addition there was a potter's group - what was it called? I think it was called the Cornish Potters Society, but I'm not sure of that. Anyway, they had meetings and we would go with Leach to these meetings and meet other potters, and they would have programs where they would discuss pottery and people would interchange ideas.
Why should Cornishmen learn Cornish? There is no money in it, it serves no practical purpose, and the literature is scanty and of no great originality or value. The question is a fair one, the answer is simple. Because they are Cornish.
The fact that Cornish exists at all is just incredible as is the work that people are doing down there, it's such an important part of who people are.
There has never been a time when there has been no person in Cornwall without a knowledge of the Cornish language.
