I was always amazed the way people would come in looking one way and transform completely to the point where I couldn't recognize their language, their accent, the way they looked, their hair, their face even changed becoming so inside of the character.
It sure is boring to be around people who are in character all the time. I always find it's closer to mental illness than acting excellence.
Solidity, caution, integrity, efficiency. Lack of imagination, hypocrisy. These qualities characterize the middle classes in everycountry, but in England they are national characteristics.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
Characters who are on screen from start to finish are not necessarily the ones who have the greatest impact.
Yes, I do feel the world revolves around me. After all, I am the main character of my own life.
I always tried to make people laugh. I attribute that to - I come from a family of divorce. It was a way to distract myself from stuff. I always thought it was interesting that my brother and I existed in this really tight bond, and we would just take the piss out of pretty much everything. I knew I wanted to be an actor so it would be great if I could make people laugh while I was doing this, because I could be other characters and other people, and I could hide behind things. It was a great out for me, and a mode of expression.
Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.
Strong moral character results from consistent correct choices in the trials and testing of life. Your faith can guide you to those correct choices.
If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
I didn't have to audition. That's common, but it had never happened to me before. Normally, I hate auditioning. I need to stew and think. . . let the character develop and grow inside me.
A novel is not an allegory. . . . It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
Not only has wilderness been a force in molding our character as a people, but its influence continues, and will, if we are wise enough to preserve it on this continent, be a stabilizing power as well as a spiritual reserve for the future.
My interest in this pack of failures betrays my character.
It would be hard to play a character you don't like - for me anyway - or can't find something in them to like.
I believe that numbers and functions of Analysis are not the arbitrary result of our minds; I think that they exist outside of us, with the same character of necessity as the things of objective reality, and we meet them or discover them, and study them, as do the physicists, the chemists and the zoologists.
As a practical matter, I like the dramatic monologue for its compelling intimacy. To be inside one's character, to register his or her every vagrant thought, emotion, and response - the first-person viewpoint grants this privilege and immediacy.
I always get inspiration from whatever characters say about my character.
When I work on a piece I always think if there is an abundance of male characters which one could we change to a woman or a minority character.
Well I mean I think everybody was devastated because my last day on set was my death scene and so it was just sad altogether because my character was taking her last breath and I was kind of taking my last breath of air on set with everybody so it's definitely very sad.