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As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.

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Sherrilyn Kenyon

Zarek? (Astrid) What?! (Zarek) Don’t use that tone with me. I like to know where people are in my house. Be nice, or I’ll make you wear a cowbell. (Astrid)