I thank fate for having made me born poor. Poverty taught me the true value of the gifts useful to life.
Success itself doesn't give you happiness. It's what you do with your success that gives you happiness.
It seems to me there's this tyranny that's not accidental or incidental, to make women feel compelled to look like somebody they're not. I think the effort is being made to get us to turn our time and attention to this instead of important political issues.
I think there are so many children being brought up in some form of violence, be it violence of poverty or sexism or racism or homophobia or transphobia. That violence takes a life to transform or overcome. I don't think people should be spending their lives dealing with that. I think people should be thriving, playing, creating, evolving.
I don't get tired, because every time a woman doesn't die or doesn't get beaten or doesn't get raped or doesn't get honor-killed or doesn't get acid-burned, it's a huge victory.
We get off track. Capitalism takes us off track. You get off the "real" and get on the "wheel. " The "wheel" becomes the winning and losing, the succeeding and failing, the "I will achieve. " All that stuff becomes so preoccupying, particularly if you're born with low self-esteem, or no sense of yourself, or even if you're just born in the consumer culture. It's very powerful.
I think so much of my early life, even though I grew up White and middle class, I was completely shattered by the horrifically violent atmosphere I grew up in. I am a consequence of violence. That opened a door to many realities that I would not have experienced had I not survived what I did.
By itself photography cannot deal with the unseen, the remote, the internal, the abstract, it does not speak of Man, only of a man ; not of Tree, only a tree.
You don't want to cry over yourself, you don't want to have compassion about yourself. It's not the right place.
The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.
The state in the matter of drugs should not, any more than in the matter of sex, act as the secret agent for the agenda of the church.