No one has a right to happiness.
Others have seen what is and asked why. I have seen what could be and asked why not.
You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only.
The people no longer seek consolation in art. But the refined people, the rich, the idlers seek the new, the extraordinary, the extravagant, the scandalous. I have contented these people with all the many bizarre things that come into my head. And the less they understand, the more they admire it. By amusing myself with all these games, all this nonsense, all these picture puzzles, I became famous. . . I am only a public entertainer who has understood his time.
Whatever is most abstract may perhaps be the summit of reality.
What I achieve the first day can be perfectly valid, but it is not satisfying. If I can go that far spontaneously, then I must shed that result as an old skin and inquire further into the unknown, or at least the not-yet-known-to-myself.
If I paint a hammer and sickle people may think it is a representation of Communism, but for me it is only a hammer and sickle. I just want to reproduce the objects for what they are, not for what they mean.
Some say the antique syndrome surfaced to offset the newness of the land, the homes, and the settlers. Some say the interest was initiated by a desire to return to the roots of yesterday. I contend the entire movement to acquire antiques was born out of sheer respect of things that lasted longer than fifteen minutes.
Let us live as people who are prepared to die, and die as people who are prepared to live.
I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
Maybe silence is something we're uncomfortable with as a culture, I don't know.