You don't just throw the ball - you propel it.
You have to be able to improvise and respond to what's going on around you. Then you might get a good piece of work done.
Something has to happen between you and the public, some interface that lets the public in on what you're doing.
If you can't get yourself understood, you may have trouble, so you need some interpretation every now and again wherever you might be.
Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
All the money in the world is spent on feeling good.
Most folks, when they see movies or hear records, need something that they find pulls them in, draws them in, and appeals to them beyond just the notes. For a record to be memorable and great, it has to have something of this quality. Exactly what that is, I don't know, but I think it has something to do with an atmosphere, an environment that is appealing and attractive. And the people that inhabit this environment have. . . almost a message for the rest of the world.
You are really starting to annoy me, Stanton. ” Nick didn’t blink. “Good. By the end of the night I hope to finish the job.
A cartoonist is someone who has to draw the same thing day after day without repeating himself.
It is your mind that creates the world.
I've got like a weird bond with horses. I'm kind of a horse whisperer, I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures, I love them. I do love riding them when I get the chance to.