Michal Rovner (born 1957) is an Israeli video, photo and cinema artist.
We're always trying to avoid being in the darkness, not knowing, and also encountering animals. There's something about them not wanting to be seen; they go out at night, they hide, they don't want to be shown. It's very interesting genetically that they have to hide from us actually. Between themselves, they smell each other, but there is this thing of hiding, of suspicion.
I like Palestinians in the morning when they come and we talk but in the evening, who knows, maybe they don't know that I'm nice.
I always start with reality, in anything I do, everything I do, I always start from something real.
I carry some kind of consideration and weight and observations about what is going on in the world, but I don't go to execute it.
We see everything, we see what's going on in Syria, we see what's going on with the refugees. What can you do about it? And we have to do something.
There's something about night and day, and life and death, but animals are also mentioned a lot of times in the bible, showing up in places of desolation, or after destruction, or after the humans left the place, suddenly they would show up.
We are very concerned all the time with figuring out new technologies and advances in science, but really [while] our future is dependent on science and progress, it's not less dependent on the way we treat each other.
Animals are always goddesses and gods, like the god Anubis. He's the one who's accompanying the souls to the next life, and he's the one who decides if they will be able to cross or not.
I think that the world is in a very serious decline - very, very serious.
I decided to go to the night, myself, and started to go out to the fields, where I would encounter things that I cannot see very well, that I cannot detect very well, and to put myself in a position where I'm going to be suspected as a being entering a territory of other beings, and I'm also going to suspect them. I have to be very alert, and they are going to be very alert - this kind of position I felt was very much what is going on in the world for me.
I usually go to bed early to read. I read and I always say that I'm not a "bohemian artist;" I need to read for one or two hours in the evening, and the quiet, so I don't hang out a lot.
We are getting used to levels of violence, we are getting used to seeing these horrific things going on all the time. I think it's tough. It's rough.
The night is there, we're trying to ignore the night, the night was always there as children.
You look at them, the animals in the wild, and they stay the same. They have their rules which I cannot decipher, and there's something very strong about that, it's also unknown and for me unpredictable.