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Paul Otremba’s remarkable first book, The Currency, is an intriguing foray into lyric epistemology that tries to come to ter ms with the implacable, paradox-ridden nature of knowledge and experience. These are deeply felt, deeply meditated poems guided by a sensibility highly attenuated to the physical world. In their openness to friendship and love and in their fearless directness, they remind me of the work of Larry Levis and Jon Anderson. Like Levis and Anderson, Otremba promises to be an influential and important voice for his generation.

Book, Fearless, Like, Physical, Voice, World

The poems in Helena Mesa’s virtuosic first book, Horse Dance Underwater, run with such speed, verve, and alacrity they leave you breathless, exhilarated, and transformed as if the purest kind of song had lifted you into the air. By this quickness of language finding lyric speech, Mesa’s poems remind us of art’s joyous and ecstatic effects.

Helena, Horse, Lifted, Poems, Running, Song

Johnny Thunders

Johnny Thunders

Richard Chamberlain

Richard Chamberlain

Louise Fletcher

Louise Fletcher

Alaa Al Aswany

Alaa Al Aswany

Grant Achatz

Grant Achatz

Marina and the Diamonds

Marina and the Diamonds

Gregory Colbert

Gregory Colbert

Eli Wallach

Eli Wallach

Kay Granger

Kay Granger

Shep Gordon

Shep Gordon

Anthony Minghella

Anthony Minghella

Al Michaels

Al Michaels