Max von Essen (born January 11, 1974) is an American stage and screen actor, and vocalist.
I'm a New Yorker. I'm liberal and open-minded. Things don't really shock me. But I was reading the second-act today and thinking that if you're religious, you could be. But you shouldn't be! You can be extremely religious and have your faith and still be open-minded to art. Because this is art. That's part of the excitement. It literally is "The Jerry Springer Show" on-stage set to beautiful operatic music. That's what's so incredible about it!
I absolutely never thought I would! But it's something to look forward to in my career. I'm not just the young, leading guy who falls in love, simple and naïve. Even just doing Enjolras recently in Les Mis. I used to cover Marius and thought: "Oh, that's simple. What I should be doing. " But then when I got Enjolras, I hadn't even thought about it. He's more powerful, sure of himself, a leader. It was nice! It was much harder singing, passionate, declamatory. Which was awesome - and now this!
My role is almost a sight-gag. I have to be a woman to sing the lyrics "I am a man" to have it be a joke. I start the lyric in a male-register and a whole coloratura up into a soprano. And other points in the show. . . like the guy who likes to be treated like a baby and wear a diaper!
I want to get a handle on the music. There's only so much you can do alone. I want everyone else there. I can't wait until we feel we've got it down and we can really figure out what it's all about! I can't wait to meet Harvey Keitel, too! I'm so used to working with musical theatre people. . . I'm really curious how he works. He's the only one that doesn't sing in the show - he acts and weaves himself through the show as the ring-master. I hope I learn something from him.
The music director, Stephen Oremus, was telling me: "I hope you've done your work. " We only have ten days rehearsal. The music is no joke. My solo singing is not that hard. But the stuff I have as part of the choir or as a "Dead Guest" in the second-half. . . I'm singing some really incredible chorus stuff that I haven't done in a long time. It's extremely difficult.
I've worked with Emily Skinner and I've seen Linda Balgord's work. I saw Harvey Keitel at the call-backs. But generally I don't know many people. They're not only good performers; they're really good singers! This show is for people who have more of a history in reading music. From what I already know about the ensemble, it's going to be great. And I can't wait to meet the rest of them. They're the real deal.
, I have a friend living as a woman. But she's almost too "normal," to be quite frank. I'm not relying on her, because "The Jerry Springer Show" has such huge characters. I'm trying to come up with a little more dysfunction than that.
There's was no pressure on it for me - I just went in and had fun. Whatever Jason Moore, the director, asked me to do, I did it! I ran around the room acting like a crazy guest on "Jerry Springer" and yelling at the audience. I just went for it.
For instance, my friend would never go on the show to air her dirty-laundry. But Tremont is outrageous! I've been watching a lot of clips of "The Jerry Springer Show" on YouTube (I can't tell you how many clips there are!) I get to witness these men going through the process to become women and what they're sharing. My character is pre-op. She's had the breast augmentation but still got "the goods" down there.
It's a crazy soprano, and singing as a man as a woman. But for many years, I was on the road in Chicago as Mary Sunshine, so I can do that. I didn't think there was any way I was going to get it - it was so far out of my comfort-zone.
But if you get a kick out of "The Jerry Springer Show," you're going to love it! The idea of hearing these lyrics and profanities - like the chorus at the top of the show - the idea that we're going to hear it in Carnegie Hall is just genius. It's been written with real care! It's not some crappy little musical that somehow found its way off-Broadway with vulgar-intentions. This is really beautiful, operatic music. It has a place in Carnegie Hall.