Mark Jenkins may refer to:
Once I have the finished sculpture, I’ll put it out on the street or in nature or somewhere where it interacts with the environment. Really it’s kind of the idea of turning the street into a stage and this sort of urban theater has a life of its own. If you have creative drive, and you need to manifest it, then you need some sort of medium to do that through. For me, it worked out with sculpture, and tape just is a means of doing sculpture.
Adventure is a path. Real adventure - self-determined, self-motivated, often risky - forces you to have firsthand encounters with the world. The world the way it is, not the way you imagine it. Your body will collide with the earth and you will bear witness. In this way you will be compelled to grapple with the limitless kindness and bottomless cruelty of humankind - and perhaps realize that you yourself are capable of both. This will change you. Nothing will ever again be black-and-white.
Wanderlust is incurable.
Adventure is a path. . . Real adventure - self-determined , self-motivated, often risky - forces you to have firsthand encounters with the world.
Stop worrying about whether they can handle it. You want the truth? Your kid is hardier than you are. . . Kids are tough.
Give your kids responsibility. Once outside, let them lead, who cares if you get lost; it might be the best trip you've ever had.
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture-they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.
Kids are natural little outdoor people. It is we, the adults, who turn them into indoor people. If you don't get of fyour computer, why should they?
Maps are essential. Planning a journey without a map is like building a house without drawings.
Maps encourage boldness. They're like cryptic love letters. They make anything seem possible.